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Modern Italy
Journal of Modern Italian Studies
RIVISTA DI STUDI ITALIANI
Anno III , n° 2, Dicembre 1985 ( Contributi ) pag. 1-10

THE MOTIF OF THE JOURNEY IN THE EIGHTEENTH-CENTURY NOVEL IN SCOTT AND IN MANZONI
S. BERNARD CHANDLER
University of Toronto,
Toronto, Ontario
As Ezio Raimondi reminds us1, Raymond Queneau has observed more than once that the tradition of the novel in the West goes back to two main types of story, represented by the Iliad and the Odyssey. In the former type, the characters are immersed in history and interrelated with historical reality; in the latter, an individual is primarily concerned who, after various experiences in the course of his travels, acquires a personality or affirms or discovers his own. [...]
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